Exhibition of the Year
‘In the Eye of the Storm: Modernism in Ukraine, 1900–1930s’ at the Museo Nacional Thyssen-Bornemisza, Madrid
‘In the Eye of the Storm: Modernism in Ukraine, 1900–1930s’ at the Museo Nacional Thyssen-Bornemisza, Madrid
Digital Benin
Wangechi Mutu
‘Portrait of Mai’ by Joshua Reynolds
‘James Gillray: A Revolution in Satire’ by Tim Clayton
Sydney Modern, Art Gallery of New South Wales
Frances Morris
The Sarabhai family were great patrons of modernist architecture in the city – and Gira Sarabhai’s contribution in particular deserves to be better known
After a mid-century dip in enthusiasm, the demand for exceptional pieces of design seems irrepressible
The art market is one of Britain’s economic successes, but politicians of all stripes are unsupportive of the sector
William Theiss takes a close look at the pocket-sized sculptures that 15th-century pilgrims thought perfect for private reverie
Diane Wolfthal discusses the dizzying visions of heaven and hell to be found in a medieval prayer book at the Morgan Library
The festive bird has often been served up by artists and writers including J.M.W. Turner and Charles Dickens
The Mayfair institution contains scores of paintings of dogs who had jobs and some rather more pampered pets
The Pop sculptor shot to fame in the 1960s, but her determination not to be pigeonholed confounded many critics
The flurry of exhibitions focusing on women artists is very welcome – as long as they avoid reinforcing tired old narratives
Apollo’s wine columnist tasted many excellent wines this year, but half a dozen were outstanding
The artist found freedom in a form of DIY making that teeters on the edge of self-indulgence
Henning Hoesch is a winemaker with a habit of making distinctions that extends to his collection of Old Master drawings
Jan Christian Sepp’s guide to the visual and geological properties of marble will whet the appetite of the modern readers too
The cathedral’s glittering 19th-century reliquaries are among the treasures that have taken up temporary residence at the Louvre
An open access publication celebrates glittering works from the 17th and 18th centuries
The lessons learned by the city’s painters in the 1500s brought about radical new forms of expression
The artist could be a touch wooden at times, but a survey in Dublin shows that his best work is full of theatrical flair