This February, Apollo features articles on Egyptian funeral objects, the socially minded art of Vik Muniz, and the history of smashing statues. Susan Moore talks to British art dealer Kasmin about his collection of antiquities, and William Parente tells Christopher Turner about the new gallery for the Portland Collection at Welbeck Abbey. Plus: Gavin Stamp on London’s blue plaques and Emma Crichton-Miller on the market for ancient armour. Preview the issue below.
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly