This February, Apollo features articles on the legacy of Hockney’s swimming pools, the Berlin Painter, and reforming the antiquities trade. Matthew Wilcox talks to Günther Uecker about the rise of the European avant-garde, and Désiré Feuerle tells Susan Moore about displaying his collection in a Berlin bunker. Plus: the market for Indian arms and armour, the rise of art business, and Michael Hall remembers Eva Neurath. Preview the issue below.
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly