Past Issue
January 2014
This January, Apollo features articles on the Great War paintings commissioned for the Hall of Remembrance in London, the motif of the lighthouse in modern British art, and how technical art history is increasingly being used to detect forgery. Plus Susan Moore talks to Janine and J. Tomilson Hill as their collection of Renaissance and baroque bronzes goes on display at the Frick.
Inside this issue
Past issues
December 2024
Rachel Ruysch | What museums think about climate protests | Apollo Awards 2024
November 2024
Japanese art at the MFA Boston | Christian Marclay | collecting haute couture
October 2024
Liliane Lijn | Picasso | Mughal painting | Impressionism
September 2024
Jan Švankmajer | Pompeii | Cat ladies
More from Apollo
In Turin, the world’s oldest Egyptian museum turns 200
Museums devoted solely to Egyptian antiquities are rare and Turin’s also tells the story of Italy’s long and complex relationship with the land of the pharaohs
The wild imagination of Maurice Sendak
The wild imagination of Maurice SendakThe true gift of the author of ‘Where the Wild Things Are’ was to see the world like a child and blur the line between dreams and reality
After centuries of neglect, Plautilla Nelli’s reputation is soaring again
The resurgence of interest in female Renaissance painters has reached the Florentine nun and her workshop – and it’s time to pay more attention to artists in other Tuscan convents
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly