This July/August, Apollo previews Parcours des Mondes, and features articles on early collecting in the Pacific and art market regulation, and profiles of the artist William Kentridge and legendary museum director Roy Strong. Susan Moore talks to Pierre Moos about his vast tribal art collection, and Crystal Bennes excavates the world of little-known Regency painter Adam Buck. Plus: Emma Crichton-Miller on the market for the Indigenous art of Australia and Gavin Stamp on the loss of Britain’s public houses. Preview the issue below.
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly