This June, Apollo features essays on Elizabeth Bishop’s paintings, the Battle of Waterloo, and the legacy of the Hudson River School. Thomas Struth tells Fatema Ahmed about his recent photography project in Israel and the West Bank, and Christopher Turner talks to Nicolas Cattelain about his collections of 18th-century furniture and post-war art. Plus: Robert O’Byrne on art theft, Emma Crichton-Miller on the market for School of London artists, and previews of Masterpiece London and Art Basel. Preview the issue below.
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly