Eric Fischl | Andrea Palladio | John Cage
Alfredo Jaar | Bernard Leach | Lee Miller
Julio Le Parc | MFA Boston | Rebuilding Notre-Dame
Yinka Shonibare | Modern monsters | Cinema in the museum
Christo | Artemisia Gentileschi | The mistresses of Charles II
Don McCullin | Etruscan art | Ingres
German ‘trophy art | Egyptian art | Rose Wylie
The Apollo Awards 2019 | Giulio Romano | Watteau
Peabody Essex Museum | Betye Saar | Medieval Ethiopia
William Hogarth | Kiki Smith | Derek Jarman
Musée des Beaux-Arts | Gustave Courbet | Maximilian I
Félix Fénéon | David Nash | Moby Dick
Notre-Dame | Cindy Sherman | Victor Horta
Enrico David | Costumes, catwalks and curators | The Hittites
Norway | Jenny Holzer | Art Brut
The Prado | Kerry James Marshall | Baltimore’s world-class museums
Ruskin | Monumental statues | Elizabeth Price
The Africa Museum | Judy Chicago | Can Venice still be saved?
Nationalmuseum in Sweden | Berlinde de Bruyckere | Nazi-looted art
Anni Albers | Cecily Brown | Pieter Bruegel the Elder
Berthe Morisot | Joe Tilson | Imagining Armenia
Horniman Museum | Mary Corse | Westminster Abbey’s new galleries
Wallace Collection | Etel Adnan | Chippendale at 300
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
What happens when an artist wants to be anonymous?