This September, Apollo previews the Biennale Internazionale dell’Antiquariato di Firenze, and features articles on the unique career of Alberto Burri, metalpoint drawing, and the legacy of collector J.P.Morgan. Susan Moore talks to Pier Luigi Pizzi about his collection of baroque paintings, and Giuseppe Penone reflects on his career with Thomas Marks. Plus: Emma Crichton-Miller on the market for Iznik pottery and Gavin Stamp on the architecture of Ivan Meštrović. Preview the issue below.
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly