<iframe src="//www.googletagmanager.com/ns.html?id=GTM-PWMWG4" height="0" width="0" style="display:none;visibility:hidden">
Apollo
Art Diary

Jack Whitten: The Messenger

21 March 2025

Born in Louisiana in 1939, Jack Whitten grew up amid the violence and racism of the segregated South and spent much of his adolescence involved with the Civil Rights movement. When he arrived in New York in 1960 as a 21-year-old student, he mingled with some of the titans of the city’s cultural scene and decided to become an artist. Both his political engagement and his proximity to these artists fed into the style he developed – an innovative mode of abstraction that drew on the influence of his older contemporaries Mark Rothko and Philip Guston as well as of Black painters such as Jacob Lawrence. MoMA’s survey spans the whole of Whitten’s remarkable career, from the 1960s to his death in 2018 and includes his technology-inspired sculptures, the huge works he made in the 1970s by pulling layers of paint across a canvas on the floor, and the rich mosaics he assembled from cut-up pieces of hardened acrylic paint (23 March–2 August).

Preview below | View Apollo’s Art Diary
Find out more from MoMA’s website

Mirsinaki Blue (1974), Jack Whitten. Photo: © 2024 Herbert F. Johnson Museum of Art, Cornell University

The Afro American Thunderbolt (1983/84), Jack Whitten. Photo: Genevieve Hanson; courtesy Jack Whitten Estate/Hauser & Wirth; © Jack Whitten Estate

NY Battle Ground (1967), Jack Whitten. Museum of Modern Art, New York. Photo: Jonathan Muzikar; © 2025 Museum of Modern Art, New York

Atopolis: For Édouard Gilssant (2014), Jack Whitten. Photo: Jonatha Muzikar; © 2025 Museum of Modern Art, New York