Raphael: Sublime Poetry

By Apollo, 27 March 2026


For centuries after his death, Raphael (1483–1520) was regarded as the greatest artist of the Renaissance, his renown as a painter eclipsing that of even Leonardo and Michelangelo. The title of this exhibition at the Met nods to the idea that, as Leonardo put it, ‘painting is a mute poetry, and poetry is a blind painting’; few artists better exemplified this idea than Raphael, the son of a poet who wrote sonnets himself and made paintings characterised by remarkable narrative force (29 March–28 June). Raphael wore many other hats – he was a surveyor of antiquities, an architect and designed tapestries and theatrical sets – and this exhibition brings together some 170 works displaying the artist’s versatility. It charts his early work in Urbino, his emergence as a leading artist in Florence and his final years in the patronage of Popes Julius II and Leo X.

Find out more from the Met’s website.
Preview below | View Apollo’s Art Diary

The Ecstasy of Saint Cecilia with Saints Paul, John the Evangelist, Augustine and Mary Magdalene The Ecstasy of Saint Cecilia with Saints Paul, John the Evangelist, Augustine and Mary Magdalene (c. 1515–16), Raphael. Pinacoteca Nazionale, Bologna/Polo Museale dell’Emilia Romagna. Photo: Scala/Art Resource, New York
The Head and Hands of Two Apostles (‘Auxiliary Cartoon’ for the Transfiguration) (c. 1519–20), Raphael. Ashmolean Museum, Oxford. Photo: © Ashmolean Museum, University of Oxford
Portrait of a Lady with a Unicorn (1505–06), Raphael. Galleria Borghese, Rome. Photo: Mauro Coen; © Galleria Borghese