Thomas Struth in Israel and Palestine: a land shaped and scarred by religion
Everything in Struth’s shots seems to have taken on a level of aggression
Everything in Struth’s shots seems to have taken on a level of aggression
Michael Craig-Martin has brightened up the RA Summer Exhibition a bit, but Agnes Martin is truly unmissable at the Tate
Homages to plaster casts and Portland stone; Chris Burden's wonderful final work; plus, 'has David Hockney been at the ketamine?'
This is the week to see top photography in and of London – but don't confine yourself to the main fair at Somerset House
Hockney's psychedelic new creations at Annely Juda; Thomas Struth's exceptional photographs at Marian Goodman; and Andre Kertesz at James Hyman
Yale institutions launch a Critique of Reason; a 'fake' in the Dulwich Picture Gallery; and a preview of Spring Masters New York
Supersymmetry dazzles in the Vinyl Factory; Lawrence Lek empties the Royal Academy; and a horrible vision in Hammersmith
Inside the new Whitney; great, gaudy gothic at Strawberry Hill; how Poussin found God; Carol Bove's optional conceptualism; Digby Warde-Aldam tours London
Modern and contemporary works steal the show this year
Ravilious is bonkers and brilliant in Dulwich; Space sparkles at Daniel Blau; and is 'Woman in Gold' so bad it's good?
Riotous Romans in Paris; the difficulty of Defining Beauty; getting back into Tracey Emin's Bed
Tracey Emin's bed, Isa Genzken's money, NS Harsha's space cows, and Roger Ackling's 'Simple Gifts'
Traces of the World Trade Centre in London; counterculturalism and Robert Fraser; and Hauser & Wirth's space in Somerset
Mary Moore vs the YBAs; this month's most covetable exhibition catalogue; and Alex Katz's trousers
View Festival of Art History; the Christie's purchase of Collectrium; Mark Scala on Telling Tales
Digby Warde-Aldam explores what London has to offer, from contemporary abstract painting to Sargent's most disquieting portraits
Playful and daring, Rego's pastels and watercolours are a surprise
McQueen's elegiac new work asks how we can memorialise a life
From the frenetic pace of Frieze London, to an artwork that won't be ready for 100 years
Frith Street Gallery moves back to Frith Street, and Multiplied opens at Christie's