First Look: ‘Salt and Silver’ at Tate Britain
Tate celebrates the distinctive, experimental aesthetic of 19th-century salted paper prints
Tate celebrates the distinctive, experimental aesthetic of 19th-century salted paper prints
How did Ottoman culture influence Western artists during the Renaissance?
From Botticelli to Dürer to Titian, Western artists of the Renaissance were influenced by the art and culture of the Ottoman Empire
Manuela Well-Off-Man introduces a travelling show of masterworks from the Albright-Knox Art Gallery
A few highlights from a touring exhibition of colourful modern masterpieces
Hiroshi Sugimoto on fossils and photos; In praise of postcards; The unlikely success of Fig-2; Five highlights from the Wadsworth; Tàpies in focus
Hiroshi Sugimoto talks to Thessaly La Force about how his art collection influences his work
Masterpieces from New York's Frick Collection travel to The Hague
No pairing of artist and muse was more complicated, ambivalent, or more richly productive
Sophie Hill celebrates the postcard in a series of pop-up displays of pocket-sized art
London's Dominique Lévy Gallery looks again at the 20th-century trend
A candid look at the artist's portraits of his children
Bonalumi was a pivotal figure in post-war Italian abstraction; finally he's getting the attention he deserves
Christian Marclay at White Cube; 'Self' at Turner Contemporary; Piero di Cosimo at the NGA Washington; Jeremy Gardiner at Victoria Art Gallery
The curator of European paintings at the Metropolitan Museum of Art was killed in the Metro-North Valhalla train crash on Tuesday
It's tempting to focus on the big loans, but the star of this particular show was in Washington all along
Female artists are well represented in this show; a deliberate strategy that prompts a more critical questioning of the genre
Are art schools in danger of turning into finishing schools for those who can afford them, or can they survive as places where students can experiment?
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
Flesh and sex – the legacies of Rubens and Sade; two views of the 20th century's torn and tattered art; and the story of Lancashire's philanthropic industrialists