Minnette de Silva was a great architect – and her buildings should not be left to crumble
Kandy should be prouder of the pioneering architect, who instigated the idea of 'regional modernism'
Kandy should be prouder of the pioneering architect, who instigated the idea of 'regional modernism'
When Henry Moore gave Barbara Hepworth the cold shoulder, plus the rest of last week's arty tittle tattle
Christiane Baumgartner uses the very traditional medium of the woodcut to capture the complexity of the modern world
Karla Black’s playful new works subtly challenge the viewer to make sense of them
Janna Graham and Niru Ratnam weigh in on whether curating is something that can, or should, be taught
What did William Blake really see when he looked at the Sussex landscape?
Bowie in Buckinghamshire, peeling off in Paris, and Lucian Freud on Prince Charles's watercolours
Madaba preserves traces of the ancient Greek-Christian culture of the Middle East
Comic strips are getting an artistic makeover – with Beano characters meeting Pop art in London
An interview with Joan Jonas, on the occasion of the artist’s major retrospective at Tate Modern
Do Kim Jong-Un and Donald Trump's share a taste in interior design? Plus Russell Crowe's divorce auction and Damien Hirst on an Australian beach.
The 5Pointz case sets a new standard for artists seeking to assert their moral rights
An exhibition at the Morgan Library examines medieval concepts of past, present and future
From Cornish coves to remote towns in Italy, a sense of place is central to the paintings of Peter Lanyon
How Sylvia Pankhurst designed the movement that won women the vote
A look at some of the impressive satellite shows being staged alongside TEFAF
Form an orderly queue to see Barack and Michelle Obama’s official portraits
The critics putting the hatchet into Civilisations and 'All Too Human', why Ed Sheeran is going Anglo-Saxon, and more arty tittle-tattle
The update of Kenneth Clark’s landmark series takes a more questioning approach to art history
His political judgements may have been poor, but Charles I’s art collection was first rate