Fifty years on, this biopic of Edvard Munch deserves a new lease of life
Peter Watkins’ 1974 film is no ordinary portrait of the artist – and feels more current than ever as the art-historical canon is up for debate
Peter Watkins’ 1974 film is no ordinary portrait of the artist – and feels more current than ever as the art-historical canon is up for debate
Two hundred years after the painter’s death, his work still has the power to shock and his life remains shrouded in mystery
When it comes to Belgian Surrealism, Magritte still leads the pack – but collectors’ tastes are begin to broaden
What did Agnes Martin, Ellsworth Kelly and Lenore Tawney have in common? They all lived cheek by jowl in a wharfside district of Manhattan
After the sale of the first <i>The Amazing Spider-Man’</i> comic for $1.4m, Rakewell suggests that when it comes to the big screen, Marvel should tap into its spidey-sense again
The Estonian artist stretched materials to their limit to create wonderfully distressed and disturbing sculptures
William Theiss takes a close look at the pocket-sized sculptures that 15th-century pilgrims thought perfect for private reverie
After a mid-century dip in enthusiasm, the demand for exceptional pieces of design seems irrepressible
When it comes to miniatures, size doesn’t matter, but a show of historic and contemporary works should spark a bigger colonial conversation
A 12th-century walrus ivory will head to the Met unless a UK institution can find £2m by February – but the sculpture really should stay where it is
The painter’s final months in the care of Dr Paul-Ferdinand Gachet, a physician as interested in art as he was in medicine, were an extraordinarily productive period
Diane Wolfthal discusses the dizzying visions of heaven and hell to be found in a medieval prayer book at the Morgan Library
With Paris preparing to play host, Neom remaining elusive and London landmarks undergoing major changes, 2024 will be nothing if not interesting
Jan Christian Sepp’s guide to the visual and geological properties of marble will whet the appetite of the modern readers too
A briny, brawny late work by Maine’s favourite modernist finds strength in stoic silence
Henning Hoesch is a winemaker with a habit of making distinctions that extends to his collection of Old Master drawings
Notre Dame is to reopen, the Frick Collection is returning to Fifth Avenue and Scotland celebrates a pair of new or improved institutions
The marking of two seminal movements and a year-long celebration of Caspar David Friedrich combine scholarly heft with popular appeal
After a period of mediocre post-pandemic growth, what will the next year bring? Apollo’s columnist peers through the mists to make some predictions
The Sarabhai family were great patrons of modernist architecture in the city – and Gira Sarabhai’s contribution in particular deserves to be better known