Is sound art getting a fair hearing in museums?
Sound art often seems like video art's poor relation in museums, but is its struggle for status starting to pay off?
Sound art often seems like video art's poor relation in museums, but is its struggle for status starting to pay off?
The procedures for protecting England’s historic buildings are now 70 years old. Is the system still fit for purpose?
The vast cemeteries built in 19th-century Italy can still tell us much about civic pride
The closure of an entire unit, specialising in the policing of a complex but valuable part of our national economy, must be wrong
When treasures wash up on the banks of the River Thames, London’s mudlarkers are ready to find them
A vast 'fatberg' is obstructing the sewers of East London – and the Museum of London wants to get hold of a piece
Cassiano dal Pozzo's paper museum, consisting of thousands of drawings, attempted to encapsulate the knowledge of his time
David Hockney and Clement Greenberg's daughter, Ernest Hemingway's cats, and DIY discussions at Tate Britain
Sharjah, United Arab Emirates
UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim Museum, New York, USA
Ethical questions about art arise on a seemingly weekly basis. It's time for museums to invest in sustained, open-ended research
This year's event explores links between traditional African art and contemporary art practice, while galleries around Paris present their best items
Art news daily: 31 August
Art news daily: 30 August
They don’t make collectors like Francesco Federico Cerruti any more. Or do they?
Collector, dealer, novelist, art historian, culture minister, conservationist – André Malraux's influence still looms large
Studio potters continue to push the boundaries of their medium in Britain
For Inti Ligabue collecting tribal and oceanic art is a way of telling stories about the cultures the objects come from
Director, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Director, Tate Britain, London