How should private collectors and public museums work together?
This year's TEFAF Art Symposium looked at an old but not unproblematic relationship
This year's TEFAF Art Symposium looked at an old but not unproblematic relationship
Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking
Tom Jeffreys reports from Helsinki on Amos Anderson's plans for a new gallery; Kiasma's reopening and exhibitions; and Päivi Takala's paintings of painting
The north side of the grade II listed building has been destroyed in a major blaze
The genre took a while to catch on in America, but when artists did take up still-life painting they made it their own
Mary Moore vs the YBAs; this month's most covetable exhibition catalogue; and Alex Katz's trousers
It’s all eyes on Maastricht as TEFAF opens for business, bringing together the world's leading dealers under the roof of the MECC
From the first printed bibles to contemporary Inuit sculpture and astrophotography...
It is fascinating how influential figures can seem to ‘disappear’ from the canon of art history
We spoke to Adélia Sabatini and Joséphine Seblon about the programme
Digby Warde-Aldam explores what London has to offer, from contemporary abstract painting to Sargent's most disquieting portraits
The proposed Garden Bridge over the Thames is impractical as a park and misguided as a river crossing
From teaware to taxidermy: the Barbican's exhibition is a fascinating insight into artists' collecting habits
A Leonardo is seized from a vault in Switzerland; artists condemn Tania Bruguera's detention in Cuba; and a Gauguin sells for $300 million
No pairing of artist and muse was more complicated, ambivalent, or more richly productive
Your chance to win 'Eduardo Paolozzi', by Judith Collins
Are art schools in danger of turning into finishing schools for those who can afford them, or can they survive as places where students can experiment?
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
David Ekserdjian discusses the recent announcement
It wasn't just the Cubists who responded to the 20th century's upheavals