Book Competition
Owning the Past: Why the English Collected Antique Sculpture, 1640–1840, by Ruth Guilding
Owning the Past: Why the English Collected Antique Sculpture, 1640–1840, by Ruth Guilding
As London recovers from Frieze week, attention has turned to Paris and the Grand Palais
Tim Knox first came across 'the most splendid British embassy building anywhere' in a box of photographs on Portobello Road
How important was drawing to the Renaissance sculptor?
Frieze week takes it out of you alright, but there has been some seriously good stuff on show
From the frenetic pace of Frieze London, to an artwork that won't be ready for 100 years
When you’ve been to more than 40 shows in three days you start to feel a little…displaced
PAD, the 1:54 Contemporary African Art Fair, and another clutch of gallery shows: this week is taking its toll
‘But it’s so BIG!’ I heard an angry American journalist exclaim. And she spoke the truth – Frieze is big
You know you’re beaten when you come within inches of mistaking a Justin Adian painting for a coat hanger
A bumper day for London exhibitions as work by Steve McQueen, Alighiero Boetti, Philippe Parreno and Jonas Burgert goes on show
Frieze Week wouldn't be Frieze without Frieze Masters
Katie Paterson's latest work will be one hundred years in the making
Do art historians and other art authenticators need greater legal protection?
Reid Kelley retells the minotaur story with rare and quite brilliant verve
Loved up tourists will have to find another way to say they care...
Forget PPE...Classics is the humanities subject that rules. Is the subject's future brighter than people tend to think?
Can a copy ever be more authentic, and more informative, than an original work of art?
Fountains, house museums and computer connoisseurs: a round-up of recent comment from the Muse Room
Scientists have developed an algorithm that identifies visual affinities between paintings. Are we all out of a job?