‘Diverse Maniere: Piranesi, Fantasy and Excess’ at Sir John Soane’s Museum
The current Piranesi exhibition at Sir John Soane's Museum raises interesting questions about original artworks and their reproductions
The current Piranesi exhibition at Sir John Soane's Museum raises interesting questions about original artworks and their reproductions
Nilima Sheikh's extraordinary paintings need more introduction than they are given here
'There’s nothing particularly radical or subversive in ridiculing the classical'. Matthew Darbyshire discusses art history, appropriation, contemporary clichés
We tend to forget how good art and design can be at communicating big ideas, and, it turns out, big data
Celebrating the gestural, colourful, restless potential of the medium
Mark Hudson's begrudging defence of Cork Street is a species of support London's gallerists can do without
Dedicated 'graffiti zones' are a nice idea, but they won't work
The sheer scale of the Guggenheim's display makes it impossible to box Futurism into its usual uneasy categories
Apollo's March Forum asks what should be done with 'fake' paintings
An exhibition of Korean art from the Joseon Dynasty has begun its year-long tour of the US
The Artangel Open has been behind some iconic works of British contemporary art, and is looking to commission the next set
If passed, the law would remove a significant barrier for families trying to recover Nazi-looted items
Why has it only just emerged that Cornelius Gurlitt kept 60 additional works in his Salzburg flat?
'Discoveries' contains several lovely moments, but never really comes together to contribute more than the sum of its parts
George Condo is hot property right now, with two new solo exhibitions about to open in London. Does his new work live up to the hype?
The NGI is 150 years old. Its holdings have been enriched by several benefactors. If only the state were as generous
The Holburne has brought together a superb show that exceeds any limitations of scale or scope
Christie's withdrew 85 works by Joan Miró from its London auctions this week, in light of ongoing legal disputes in Portugal
Is there value in fake art? Several museums and galleries seem to think so, and have mounted exhibitions to prove it
Our February Forum asks 'Have traditional museum and exhibition catalogues had their day?'