Muse Reviews: 8 February
Christian Marclay at White Cube; 'Self' at Turner Contemporary; Piero di Cosimo at the NGA Washington; Jeremy Gardiner at Victoria Art Gallery
Christian Marclay at White Cube; 'Self' at Turner Contemporary; Piero di Cosimo at the NGA Washington; Jeremy Gardiner at Victoria Art Gallery
It's tempting to focus on the big loans, but the star of this particular show was in Washington all along
Are art schools in danger of turning into finishing schools for those who can afford them, or can they survive as places where students can experiment?
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
New year, new acquistions: from Jérôme Bonaparte's chandelier to an entire country cottage
Fragments from an exhibition of the 20th century's fractured art
A celebration of the tattered, torn and pioneering work of the Affichistes
The advent of modern aviation had a decisive influence on the art of British modernists
BRAFA opens in Brussels; Theaster Gates wins the Artes Mundi Prize; art and craft at the NGCA
A selection of self-portraits from Turner Contemporary's latest show
The New-York Historical Society has sent a spectacular group of landscape paintings to LACMA this winter
In the January issue of Apollo, we asked a range of senior figures for their perspectives on copyright now
Frederick Wiseman talks to Fatema Ahmed about his new film, National Gallery
Mike Fitzpatrick salvaged the programme after its disastrous start, but what's next for the city?
The Royal Academy's exhibition presents Moroni’s portraits in their wider context
Highlights from the Courtauld's latest display of drawings from the collection
The Fondation Louis Vuitton is the new home for the personal and corporate art collections of Bernard Arnault
Two of Raad's career-defining projects reveal the balance of rigorous research and subtle wit that informs his work
Pop art comes under examination in 2015, while Pallant House Gallery reappraises the work of Leon Underwood, David Jones and Walter Sickert
Ireland's outstanding 18th-century decorative arts have been long overlooked, but a new exhibition in Chicago looks set to change that