Gallery: ‘Gustave Courbet’ at the Beyeler Foundation
Highlights from the upcoming Courbet exhibition at the Beyeler Foundation
Highlights from the upcoming Courbet exhibition at the Beyeler Foundation
The contemporary art trade may seem like a funny old business but historically it has played an integral role in the development of Western art
The problem with posthumous art; a bitter exit for France's Culture Minister; and why you should plant a poppy at the Tower of London this autumn
Two young artists argue for a return to paint and pencil
35, London, UK
39. Adjunct Curator for Modern and Contemporary Art, Kunsthistorisches Museum Wien Vienna, Austria
36. Director, Frieze Masters London, UK
Paul Cummins' red field of poppies has been planted by volunteers, and is still growing
An exhibition of Garry Winogrand's photography at the Metropolitan Museum includes many posthumous prints. Do they have a place there?
Bob and Roberta Smith stands up for art in schools; Alfredo Jaar interrupts the adverts in Times Square; and the utopian appeal of geometric art
A new exhibition contends that portraiture doesn't reflect the self; it constructs it
In focusing on recent innovations, this exhibition risks losing sight of some of the original allure of its subject
After its long-awaited redevelopment, the Clark has unveiled an impressive new building designed by Tadao Ando alongside refurbished galleries by Annabelle Selldorf
A new display of art from Captain Cook's voyages is compelling, but doesn't quite tell the whole story
Perspectives on war: Marsden Hartley's paintings from Berlin in WWI; and Mark Neville's photographs and films from Helmand Province, Afghanistan
Satan, sin and the underworld...selected highlights
The characters in Walker's works are caught in moments of enigmatic significance, at once inconsequential and charged with possible implication
Which curators, writers, academics and educators are steering public opinion about art?
Playful, interactive, digitally-enhanced: is art straying closer to the video game than ever before?
Mark Neville's films and photographs from Afghanistan reveal the strange banality of war