The Tate was right to look again at queer British art
Context is as crucial to this exhibition as the art itself. Tate strikes a tricky balance between the two
Context is as crucial to this exhibition as the art itself. Tate strikes a tricky balance between the two
Your chance to win ‘Stanley Spencer: Looking to heaven’, edited by John Spencer (Unicorn Press)
The former James Bond star Pierce Brosnan is to exhibit his paintings in Paris
Spring is here and the sun is out, so choose your exhibitions wisely...
Shortly after Matisse’s death, Clive Bell called time on the artist’s rivalry with Picasso – and rightly so
Reforming Italy's most famous museum is a huge and sensitive task for new director Eike Schmidt
Instagram promotion, protests daubed in Latin... graffiti is starting to look like a genteel pastime
The clergy in Manchester have condemned a wheeze to sell crucifixion experiences
The Nelson-Atkins Museum of Art built its collection from scratch in the 1930s, and is still going strong today
Art News Daily : 5 April
The finest new additions to public art collections, from rare Fabergé animals in London to Canadian masterpieces in Ottawa
This is no country jumble of brown pots. The latest show at Messum's Wiltshire is a reminder of a great, evolving national tradition
'People Power: Fighting for Peace' at the IWM London is a bold exhibition that uses individual stories to humanise major global issues
Why Impressionist and Post-Impressionist pastels are becoming increasingly attractive to art collectors of all sorts
Hercules Segers combined printmaking and painting to create works that are in a category of their own
Howard Hodgkin's great artistic struggle – and achievement – was to find a way of visualising memories
Kiran Nadar on the 'exhilaration' of art collecting, the museum she set up in Delhi, and her commitment to showing Indian artists on the global stage
The artist discusses love, depression, abortion and infidelity in a new documentary directed by her son
Art News Daily : 27 March
Swiss artist Meret Oppenheim's objects – she referred to them as ‘things’ – are still deeply unsettling, drawing you into their worlds and their logic