Inquiry: Learning Lessons
Can museum education programmes have a more radical purpose?
Can museum education programmes have a more radical purpose?
It is satisfying to see Benglis finally given proper recognition in the UK
The fundraising exhibition and auction has emerged, somewhat paradoxically, as a highlight in the gallery's programme
Traces of the World Trade Centre in London; counterculturalism and Robert Fraser; and Hauser & Wirth's space in Somerset
George Vasey recommends Raoul de Keyser's work in Edinburgh; Vanessa Remington introduces the art of the garden at the Queen's Gallery; and 'Classicicity' explores ancient and modern art in tandem
Classical and contemporary collide at Breese Little gallery
De Keyser’s great talent is to keep oppositional ideas in the balance
An early Mondrian hidden among Old Masters; Auerbach's striking self-portrait; and a curious Collector's Cabinet
Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking
Peder Balke's sublime paintings of Norway off-set the contemporary artist's own exploratory work
This may be hard to believe, but not all the best art is in Maastricht this week.
A new show explores the changing character of the garden and its enduring appeal for artists
Highlights from The Queen's Gallery's springtime celebration of the art of the garden
American cantaloupes at the Louvre; Frida Kahlo and Diego Rivera in Detroit; Feminism and Niki de Saint Phalle
Axel Rüger talks to Apollo about the Van Gogh Museum in Amsterdam, an enterprising institution that combines popular appeal with groundbreaking research
The term 'avant-garde' has shifted meaning from its military roots to the byword for artistic innovation. How should we apply it to art history?
In one remarkable year, Rivera arguably made his greatest mural cycle and Kahlo forged her own expressive style
Rivera's monumental murals and Kahlo's small but powerful paintings at the DIA
From shooting pictures to colourful 'Nanas', Saint Phalle's work tackles feminist issues head on
John Gerrard's bleak vision of technological evolution; photography and human rights; and the forgotten master of still life, Henri de Fromantiou