Great genius: Piero di Cosimo at the National Gallery of Art, Washington
It's tempting to focus on the big loans, but the star of this particular show was in Washington all along
It's tempting to focus on the big loans, but the star of this particular show was in Washington all along
Female artists are well represented in this show; a deliberate strategy that prompts a more critical questioning of the genre
Are art schools in danger of turning into finishing schools for those who can afford them, or can they survive as places where students can experiment?
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
Flesh and sex – the legacies of Rubens and Sade; two views of the 20th century's torn and tattered art; and the story of Lancashire's philanthropic industrialists
New year, new acquistions: from Jérôme Bonaparte's chandelier to an entire country cottage
It wasn't just the Cubists who responded to the 20th century's upheavals
Fragments from an exhibition of the 20th century's fractured art
Sponsorship, strikes and self-censorship in London's top museums; the Smithsonian's international expansion; Tutankhamun's broken beard
The Affichistes used throwaway materials but their legacy endures
A celebration of the tattered, torn and pioneering work of the Affichistes
'La Peregrina' is like a dip in icy water after Rubens' opulent works
The advent of modern aviation had a decisive influence on the art of British modernists
The Hudson River School at LACMA; self-portraits at Turner Contemporary; Conscience & Conflict at Pallant House; Poliakoff at Timothy Taylor
BRAFA opens in Brussels; Theaster Gates wins the Artes Mundi Prize; art and craft at the NGCA
I’ve tried to stay away from what most people would expect from a show about craft
A selection of self-portraits from Turner Contemporary's latest show
Van Dyck's celebrated last self-portrait tours to Margate at the centre of a major exhibition
The New-York Historical Society has sent a spectacular group of landscape paintings to LACMA this winter
'Unseen' at the Courtauld Gallery; Blake at the Ashmolean; Moroni at the Royal Academy; and sculptors' drawings in Boston