First Look: ‘The EY Exhibition: Late Turner – Painting Set Free’ at Tate Britain
Curator David Blayney Brown discusses setting Turner free from reductive critical stereotypes
Curator David Blayney Brown discusses setting Turner free from reductive critical stereotypes
From the outside, the UK’s regional museums may look to be in rude health. But how have recent funding cuts affected what’s happening behind the scenes?
Paris is getting back into gear after the August exodus. What's coming up in the city's art calendar?
Marshall tackles the history of slavery, race politics, black power or social emancipation in bold but ambiguous ways
What's next for the Los Angeles art world? A look ahead at some of the gallery openings and relocations coming up this autumn
The curator's introduction to a new exhibition of Courbet's work, opening in September at the Beyeler Foundation
Highlights from the upcoming Courbet exhibition at the Beyeler Foundation
The contemporary art trade may seem like a funny old business but historically it has played an integral role in the development of Western art
The problem with posthumous art; a bitter exit for France's Culture Minister; and why you should plant a poppy at the Tower of London this autumn
Two young artists argue for a return to paint and pencil
Art thefts, law suits, iconoclasm, politics and buried treasure
35, London, UK
39. Adjunct Curator for Modern and Contemporary Art, Kunsthistorisches Museum Wien Vienna, Austria
36. Director, Frieze Masters London, UK
Paul Cummins' red field of poppies has been planted by volunteers, and is still growing
An exhibition of Garry Winogrand's photography at the Metropolitan Museum includes many posthumous prints. Do they have a place there?
A roundup of the week's reviews: including Syrian artists in London; Titian in Scotland; a riverbed in Denmark...
Bob and Roberta Smith stands up for art in schools; Alfredo Jaar interrupts the adverts in Times Square; and the utopian appeal of geometric art
Sanctified and worldly subjects come together in the Scottish National Gallery's exhibition of Venetian art
How is identity staged, constructed and explored in contemporary portraiture?