Modern art is not the enemy of religious art – it’s revived it
Christian art can never be straightforwardly representational
Christian art can never be straightforwardly representational
Alex Katz talks to Matthew Sperling about his memories of the New York School and his love of poetry
Connoisseurship is still valuable, and many art historians know it
The new culture secretary, Sajid Javid, must be as visible as possible at arts venues in the coming months
'Goya and the Altamira Family' reunites five family portraits by Goya and his collaborator Agustín Esteve
In the 1940s and '50s, a series of touring exhibitions brought modern British sculpture in from the cold
The Petit Palais is the perfect location for 'Paris 1900' and its sumptuous exploration of the Belle Époque
A response to Christos Tsirogiannis' post of 2 April on this site about possibly looted antiquities appearing in the London salerooms
'...to be iconoclast is also a gesture of respect, of devotion.’
Big sales have been made and announced this week, and a few high-profile figures have come under fire
Alex Farquharson tells us more about the exhibition, the artists, and the unexpected origins of the show's title
Bridget Riley and Francis Bacon feature in this exhibition of work from the Arts Council Collection
Maria Miller has resigned as UK culture secretary. Perhaps it's now time to rethink the DCMS entirely.
Review of 'Degenerate Art' at the Neue Galerie, New York
Why have art and science particularly come together in a glorious synergy of exhibitions in 2014?
A round-up of the week's reviews: Anselm Kiefer, Phyllida Barlow, Camille Henrot and sustainable art
A gallery of highlights from the V&A's current exhibition which looks at Italy's unique contribution to fashion
Sjarel Ex explains how the Museum Boijmans van Beuningen acquired a Hammershøi at TEFAF
Kiefer's first UK retrospective is a major coup for the RA
In Apollo's April issue we spoke to Christophe Leribault, director of the Petit Palais in Paris