I Cheer a Dead Man’s Sweetheart at the De La Warr Pavilion
A winningly eccentric exhibition of contemporary painting
A winningly eccentric exhibition of contemporary painting
How do you like your Georgians? William Kent's designs come with a liberal coating of gilt
What does it mean to be selected for TEFAF's yearly Showcase of promising new galleries?
The theft of part of a minor fresco in Pompeii is not in itself a huge loss, but it highlights wider security and conservation issues
A round-up of the week's reviews: murals, ruins, maps and charts, and contemporary responses to historic art...
The current Piranesi exhibition at Sir John Soane's Museum raises interesting questions about original artworks and their reproductions
Yinka Shonibare's work at the Barnes Foundation is both entertaining and deeply reflective
Lost, stolen, restored, repackaged and photographed: a round-up of art news and debates from this week
Are the rules governing photography in many major museums just too confusing?
Rob and Nick Carter's harnessing of digital media encourages us to look at art more closely
In Apollo's March issue we spoke to Michael Craig-Martin ahead of his exhibition at Chatsworth House
We asked 10 galleries at TEFAF to pick out their personal highlights
The curator's introduction to 'Titian and the Golden Age of Venetian Art'
It's been billed as 'the broadest and most diverse' Whitney Biennial to date, and the enormous variety of this year's display is no bad thing
'There’s nothing particularly radical or subversive in ridiculing the classical'. Matthew Darbyshire discusses art history, appropriation, contemporary clichés
Some of Maastricht's masterpieces are easily overlooked
Beautiful jewels, gold and silver statues, and devotional objects from the city of Naples
Exceptional items from the city of Naples will go on display this week at the Musée Maillol
Ruination is a condition of modern life. An exhibition at Tate Britain explores its enduring appeal
A round-up of the week's reviews: Beautiful bronzes, Cézanne and the Modern, abstract drawings, Bill Viola, and Asian art