The Week’s Muse: 22 March
Lost, stolen, restored, repackaged and photographed: a round-up of art news and debates from this week
Lost, stolen, restored, repackaged and photographed: a round-up of art news and debates from this week
Are the rules governing photography in many major museums just too confusing?
Rob and Nick Carter's harnessing of digital media encourages us to look at art more closely
In Apollo's March issue we spoke to Michael Craig-Martin ahead of his exhibition at Chatsworth House
We asked 10 galleries at TEFAF to pick out their personal highlights
The curator's introduction to 'Titian and the Golden Age of Venetian Art'
It's been billed as 'the broadest and most diverse' Whitney Biennial to date, and the enormous variety of this year's display is no bad thing
'There’s nothing particularly radical or subversive in ridiculing the classical'. Matthew Darbyshire discusses art history, appropriation, contemporary clichés
Some of Maastricht's masterpieces are easily overlooked
Beautiful jewels, gold and silver statues, and devotional objects from the city of Naples
Exceptional items from the city of Naples will go on display this week at the Musée Maillol
Ruination is a condition of modern life. An exhibition at Tate Britain explores its enduring appeal
A round-up of the week's reviews: Beautiful bronzes, Cézanne and the Modern, abstract drawings, Bill Viola, and Asian art
A roundup of highlights from Asia Week New York which runs from 14–22 March
A look at some of the outstanding satellite shows being staged alongside TEFAF
We spoke with Willem van Roijen about his new role, and his hopes for the fair
A finely honed selection of masterpieces of European art
Meditative and mysterious, Bill Viola's video work asks timeless questions
Deacon stretches the concept of drawing well beyond the flat page
Henry and Rose Pearlman's superb collection includes Cézanne's very last, a magical still life