‘Art Party’: Bob and Roberta Smith’s defense of art in schools
We spoke to the artist at the head of a campaign to keep creativity on the school curriculum
We spoke to the artist at the head of a campaign to keep creativity on the school curriculum
Winslow Homer's 'Milking Time' and Alexander Calder's 'The Black Crescent' are next up
The Sekhemka sale has quickly become something of a case study in the dangers of deaccessioning
40 Under 40; a gallery for Goldsmiths, art in Edinburgh; and a closer look at museum displays
Thomas Marks, Diane Lees and David Boyd Haycock discuss the role of art in commemorating the First World War
Are encyclopaedic museums concentrating too much on contemporary art? News and comment from the Muse Room
Apollo's July/August Forum
A number of the architect's prized models are back on prominent display in Sir John Soane's Museum
News, comment and opinion from this week’s Muse Room: arts and crafts, ivory, twitter, public art, hidden stores and a $20 million stamp
Should a museum, purportedly in order to save its head, sell off the jewel in its crown?
The exhibition is the first to consider in depth the significance of colour to Piet Mondrian’s early career
The ICA's Reading Room was put to good use recently with an exhibition of creative scrapbooks
Print collecting, digital catalogues and curator chic... some of the discussions on the blog this week
'Building the Picture' is accompanied by the National Gallery's first fully digital catalogue
Flipping art is a controversial practice: it was only a matter of time before it resulted in a public spat
Entrepreneur Karlheinz Essl hopes to sell his private collection to Austria, to save 4000 jobs at his company
A look at some of the outstanding satellite shows being staged alongside TEFAF
Women in art, art at risk, and art history's bad image... discussions in the Muse Room this week
The Chagall Committee are actually doing their work
Trophy works by hot young artists are frequently sold repeatedly in a short space of time. What does it mean for the art market?