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How Campari built its brand
An exhibition tracing the advertising history of the Italian liqueur reflects the changing tastes of the 20th century
Soap and glory at the Uri Geller Museum
Uri Geller is to open a museum in Jaffa, Israel, next year – and his psychic powers, or at least an archaeological team, have led to a discovery on site
The Horniman Museum takes on the world
The London museum’s outstanding ethnographic collections finally have a fitting home
Andrea Fraser follows the money
In her new book, the artist uncovers uncomfortable truths about art, money and politics in the US
Lily Cole’s new film breathes life into the past at the Foundling Museum
Fiction and history, past and present are interwoven in this tale of two women whose children are taken into care
The work of Rebecca Belmore demands to be heard
The experiences of Indigenous peoples past and present are brought into view in this provocative yet sensitive exhibition
Book competition
Your chance to win Michaelina Wautier, 1614-1689: Glorifying a Forgotten Talent by Katlijne Van der Stighelen
Colour, controversy and religion in the art of Emil Nolde
From biblical scenes to garden paintings, the paintings of this German Expressionist reveal a complicated soul
Does the spirit of Charles Dickens live on in his furniture?
A table owned by the author has been export stopped in the UK – a situation that Dickens himself would have relished
Yuko Mohri unwinds at Camden Arts Centre
The artist’s new sound installation involving solenoids, sensors and tropical fish is surprisingly decorative
The destruction of The List at the Liverpool Biennial is deeply troubling
The List, which documents the thousands of people who have died trying to reach Europe, was torn down from hoardings in Liverpool
The artist who can’t get enough of the Coen brothers
Stephen Case is drawing every character from the Coen brothers’ films (and there are a lot of them)
The Apollo podcast: Mark Gatiss on John Minton
Mark Gatiss tells Thomas Marks about his new film on John Minton – and his lifelong fascination with the artist
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The true worth of Robert Burns’s manuscripts
New research methods will help distinguish Robert Burns’ texts from forgeries – but will it change how we read him?