Art news daily: 28 October
Whether as models, studio managers, or artists in their own right, the women in the orbit of the Pre-Raphaelite Brotherhood deserve greater recognition
Richard Sandell and Chris Ingram discuss why museums still have a long way to go before they can claim to offer a fully accessible experience
A biography of one of the country’s earliest professional woman painters is a fitting if belated tribute
The versatile artist talks about her love of printmaking – and being in it for the long haul
Art news daily: 25 October
This pupil of Rembrandt has often been mistaken for other artists, but is there an unity to be found in his many styles?
Tai Shani, Oscar Murillo, Helen Cammock and Lawrence Abu Hamdan can be found in playful, reflective or forensic mode in Margate
Art news daily: 24 October
As the greatest sculptor of the Spanish Renaissance, Alonso Berruguete deserves to be better understood
The artist Taus Makhacheva is fascinated by the subversive side of an art form that found great favour in the USSR
Art news daily: 23 October
The latest instalment of Art D’Égypte’s annual exhibition is spread across four venues on the historic El Mu’iz street
Things rarely turn out well for the characters in the satirist’s so-called ‘progress’ pieces – rather, they capture the chaos of 18th-century life
A thought-provoking study considers what makes medieval European sculpture so memorable
Art news daily: 22 October
The Beirut-based artist talks to Gabrielle Schwarz about his fascination with the lives of objects
Art news daily: 21 October
In all his art, from his poetry hotline to the recent text paintings, Giorno refused to be bored or be boring
How the Barbizon painter’s subversive rural scenes inspired artists from Van Gogh to Salvador Dalí
Art news daily: 18 October
Rakewell digs out some portraits of John Henry Newman, the first British person to be canonised for nearly 50 years
It is 150 years since women first arrived at Cambridge – and the fight for equality has taken almost as long
What are the implications of using object recognition technology to classify human faces and emotions?
