Vittorio Cini collected remarkable Venetian paintings, which have never been publicly exhibited together – until now
Omer Fast puts contemporary fears and fictions on display at the BALTIC Centre
It's the variety and range of photographs on show that will ultimately come to define the fair
Time for a bit of anarchy
The estimate is far short of the $100m+ prices notched up in recent years – but then this is a Picasso more cerebral than sexy
The Sainsbury Centre's exhibition reveals an artist grappling with a sense of human frailty
The artist talks to Apollo about her obsession with found objects and making art out of gin
There are many treasures in the Met's new exhibition, but the most poignant are the metalwork pieces from Mosul, given the turmoil in the region today
Figurative art is making a comeback, if this year's shortlist of promising early-career artists is anything to go by
Collaboration is the order of the day in Brussels and Paris, where several art fairs are joining forces. Meanwhile, London gears up for Art16
The Italian artist discusses his distinctive palette and what he owes to Yves Klein
Which museums are raking it in? And which ones are facing a deficit?
Russia's 19th-century portraitists were more than a match for the exceptional writers and composers they painted. So why is their work so neglected?
Heritage groups around the world need to harness social media to spread their message. This campaign makes that much easier
With 3,000 new works, a major extension, and an ingenious way of working with collectors, SFMOMA is becoming a modern art museum to rival all others
Two exhibitions in London celebrate the beautiful, subtle botanical paintings of 17th-century Holland
Artists recognised the power of the staged image long before Instagram came along
The contemporary art gallerist's alliance with an antiques dealer epitomises the changing art world
Marisol's powerful, Pop-inspired sculptures deserve to be far better known, particularly outside the US
The ship that took Captain Cook around the world ended up as the 'Lord Sandwich' at the bottom of Newport Harbour
How strange that this great British painter claims to ‘hate painting’ when he is so good at it
The National Portrait Gallery and Pallant House both benefit from the acceptance in lieu scheme, while LACMA gets an impressive new haul
Flavin's fluorescent light pieces continue to transform the spaces in which they are installed. But time is changing how we see the pieces, too
The everyday objects in Cerutti's Turin studio are transformed in his paintings: poised, precarious, and forever in suspense
