Funding cuts are a danger, but it's the more insidious changes to the structure and attitude of public sector that we should really worry about
Was it concrete or Communism that caused modernist sculptor Peter Laszlo Peri's slide into obscurity?
Auction highlights this month include a Twombly masterpiece that has never appeared at auction before and a striking portrait by Picasso
Four Confederate monuments are to be removed from the streets of New Orleans, but their painful legacy endures
Entering the British Pavilion at Venice will feel like an Alice in Wonderland experience
Philip Guston’s engagement with literature cemented his place in the history of art
The finest new additions to public art collections, from the final portrait of the 1st Duke of Wellington, to a rare Modigliani sculpture
Witches, trolls, and a version of Pinocchio are among the characters you can expect to see at this year's event
New York's famous 'Charging Bull' statue has company – and despite all the controversy, the new arrival has every right to be there
It tanked in 1967, but the band's debut album, produced by Andy Warhol, was still the best pop cultural achievement of its decade
Antiques in Hong Kong, tribal art in France, and London's first quattrocento maiolica show in 100 years
Weeks after Eran Neuman took up the directorship, he left. What's going on at the Israel Museum?
The month's top exhibitions, from Giacometti at Tate Modern to the 57th Venice Biennale
The Garden Bridge Trust should be pursued for the public money it has wasted
This event is a must-see if you want your understanding of Piero Manzoni and the other featured artists turned on its head
Where is the line between antique firearms suitable for inclusion in historic collections, and weapons requiring a licence?
A round-up of last week's art world tittle-tattle
The definition of 'Islamic' at Cairo's Museum of Islamic Art lacks nuance, but so do our wider conversations about Islam
No. 1 Poultry is now Britain's youngest listed building, but it was once the site of a remarkable struggle between the developer and conservationists
Chris Killip's photographs of the north of England are as relevant today as they were 30 years ago
The future of the historic craft will only be secure if contemporary artists and audiences understand it better
New galleries mean a fresh start for the New-York Historical Society Museum and Library
The Metropolitan Museum is finally showing Native art in its American galleries. This is important, but only as a reflection on museums themselves
There has always been a market for early 20th-century German prints, but it's constantly evolving as tastes and expertise change
