PREMIUM

British filmmaker and installation artist Isaac Julien (b.1960), photographed in 2021. Photo: Anne-Katrin Purkiss; © Royal Academy of Arts, London

‘You look for your own art history’ – an interview with Isaac Julien

The artist tells Apollo how his new film for the Barnes Foundation weaves together restitution debates with the history of the Harlem Renaissance

30 May 2022
Central Park Tower and the Steinway Tower on Billionaires’ Row in New York City.

Why are New York’s new skyscrapers so bad?

As the Manhattan skyline keeps getting higher, the quality of the skyscrapers crowding the horizon seems to be getting lower and lower

30 May 2022
Page from the Chronique de Saint Nicholas de Reims (13th century).

What medieval Christians thought about climate change

Christians in the Middle Ages believed that there was no bad weather in paradise after the Creation and before the Fall of Man

30 May 2022

Speed freak – ‘Raphael’ at the National Gallery, reviewed

The artist’s true genius lay in the superhuman pace with which he mastered new styles

30 May 2022
Detail of an advertisement for the Nouvelles Cartes de la République Française

Survivors’ gilt – the luxury craftsmen who flourished after the French Revolution

Iris Moon’s account of how masters of the decorative arts adapted to turbulent times is a suitably unsettling affair

30 May 2022
Colosseum, Rome (c. 1855), James Anderson.

The British photographers who took their visual cues from the Grand Tour

Victorian photographers in Italy were inevitably influenced by forms of landscape painting made popular in the preceding century

30 May 2022

Eternal fame – the world of the Kushite pharaohs

The Louvre’s latest exhibition has revived the vast ancient empire that once united Sudan and Egypt

30 May 2022
Katrin Bellinger photographed in her print room in London in May 2022. Behind her are drawings by Anne Guéret and Gjisbertus Johannus van den Berg.

Drawn to greatness – the personal collection of Katrin Bellinger

Once a renowned dealer in Old Master drawings, Bellinger’s own collection includes all kinds of works on paper and oils – and she’s committed to sharing what she has

30 May 2022
The Gulf Stream (detail; 1899), Winslow Homer.

‘This is a new Winslow Homer for our time’

The Met’s new survey reveals a more dramatic, more political side to the American painter

30 May 2022
Barn scene with a man courting a young woman and several figures (detail; 1681), David Teniers II.

Around the galleries – BRAFA lights up Brussels, plus other highlights

Despite its position in this summer’s packed calendar, the Belgian art fair is confident in its unique offering

30 May 2022
Detail of Trafalgar Square by Piet Mondrian

Off the grid – the side of Mondrian you’ve never seen before

A completely overlooked painting, left out of the artist’s catalogue raisonné, makes the case for an unexpectedly messier and much more interesting career

30 May 2022

Grand designs – how Gio Ponti transformed Palazzo Bo

The University of Padua may be 800 years old, but this ancient institution is also home to masterpieces of 20th-century design

30 May 2022

A closer look at William Kent’s gilded ceilings at Houghton Hall

With a new book dedicated to William Kent’s Houghton Hall ceilings, Apollo takes a closer look at the depiction of Venus in the Green Velvet Drawing Room

30 May 2022
Cicely Hey (detail; 1923), Walter Sickert. The Whitworth, University of Manchester

Acting out with Walter Sickert

A triumphant survey at Tate Britain – the largest in 30 years – revels in the British artist’s painterly games

30 May 2022

Gnarled histories – winemaking in Algeria

Though France is now better known for its winemaking industry, the country owes the survival of its connoisseurship to Algeria

30 May 2022
Double take – Picasso’s Seated Nude (detail; 1909–10) and El Greco's Penitent Magdalene (detail; c. 1580–85), El Greco. © Succession Picasso/DACS, London 2022

How El Greco rocked Picasso’s world

Carmen Giménez, the curator of an upcoming exhibition in Basel, talks to Apollo about the modernist’s lifelong debt to the Old Master

30 May 2022

Documenta returns to its radical roots

Jakarta-based artists’ collective ruangrupa’s curatorial vision for the 15th edition of the fair puts a spotlight on artists from the global South

30 May 2022

Taking control – Martine Gosselink’s vision for the Mauritshuis

As the Hague-based institution celebrates its 200th anniversary, museum director Martine Gosselink discusses its heritage and plans for the future

30 May 2022

Can an exhibition represent a nation?

Exhibitions can successfully capture a cultural and social moment, but they are as much a glimpse into the mindset of the curators as they are into the art of that time

30 May 2022

Fresh flavours at the National Gallery’s new restaurant

The gallery’s gloomy dining room is now a thing of the past. The restaurant has an elegant new look and menu to match

30 May 2022
Jadé Fadojutimi painting

Bright young things – the rapid rise of contemporary art’s newest stars

The next generation of contemporary artists may be emerging in the primary market galleries but just how secure is their future?

30 May 2022
Isamu Noguchi sculpture

Child’s play – why artists are looking to childhood for inspiration

Artists have long embraced playful behaviour – not just as a form of creative release, but also as a way of dealing with conflict and taboo

30 May 2022
St Bride’s Church in East Kilbride, designed by Andy MacMillan and Isi Metstein for Gillespie Kidd & Coia and completed in 1964.

In defence of the modern buildings of Britain

Some of Britain’s finest examples of modern architecture may be under threat, but in Owen Hatherley they have a fierce champion

30 May 2022

Beyond Rubens – drawings by the lesser-known Flemish masters

Rubens may dominate the field, but there are other names worth seeking out – and plenty of surprises to be found

23 May 2022