Thomas J. Price’s large-than-life sculptures put everyday people on a pedestal, quite literally, to challenge how we think about power and value. This exhibition at the Victoria and Albert Museum in London places eight of the British sculptor’s best-known works in dialogue with historical sculptures from the collection (22 July–27 May 2024). Highlights include Price’s head of a woman titled Lay It Down (On the Edge of Beauty) from 2018, which goes on show alongside a selection of Victorian busts. Elsewhere, Signals (2020), which depicts a young man with hand aloft in search of mobile phone signal, is juxtaposed against Samson and the Philistines (1749), a similarly-posed sculpture group by Vincenzo Foggini. Find out more on the Victoria and Albert Museum’s website.
Preview below | View Apollo’s Art Diary
Lay It Down (On the Edge of Beauty) (2018), Thomas J. Price. Photo: Ken Adlard
Numen (Shifting Votive One) (2016), Thomas J. Price. Photo: Ken Adlard
Untitled (Head 24) (2021), Thomas J. Price. Photo: Ken Adlard
Signals (2021), Thomas J. Price. Photo: Damian Griffiths
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Seeing London through Frank Auerbach’s eyes