Unusual perspectives appear throughout the oeuvre of Max Beckmann, an artist who is linked both with New Objectivity and with Expressionism (though he rejected the latter association). This show at the Kunstmuseum den Haag (27 January–20 May) considers the artist’s treatment of pictorial space in both painting and prints over the course of a varied career in which he ranged from visions of cruelty during the First World War to portraits of Weimar Republic-era figures. Highlights include the remarkable double portrait Beckmann painted of himself and his second wife, Mathilde, during the period of his exile from Berlin in Amsterdam – an enigmatic and brooding composition, the couple presented together as worldly and genteel (Beckmann shows off to the viewer the lining of his bowler hat, on which ‘London’ is printed), yet with an emotional distance from one another. Find out more from the Kunstmuseum den Haag’s website.
Preview below | View Apollo’s Art Diary
Bathers with Green Cabin and Boatmen in Red Trousers (1934), Max Beckmann. Kunstmuseum den Haag
Double Portrait/Max and Mathilde Beckmann (1941), Max Beckmann. Stedelijk Museum, Amsterdam
Female Nude with Dog (1927), Max Beckmann. Museum Wiesbaden
The Soldier’s Dream (1942), Max Beckmann. Hilti Art Foundation, Vaduz
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Seeing London through Frank Auerbach’s eyes