Drawing Outside the Lines: Masterpieces from the Centre Pompidou’s Collection

By Apollo, 13 December 2025


Old Masters often used drawing as a preparatory tool , a necessary step towards a finished painting or sculpture. In the 20th century it came into its own as an art form. The Centre Pompidou’s Cabinet d’art graphique is home to some 35,000 drawings from around the world, most made in the last 125 years; with the Pompidou’s doors closed to the public for the next five years, the Grand Palais is displaying more than 300 drawings from this collection (16 December–15 March 2026). Its strongest suit is its sheer variety: from century-old sketchbook doodles to digital works, the show takes in brightly coloured collaged drawings by Matisse, Jean Dubuffet’s cartoonish renderings of subway commuters and a simple but vertiginous monochrome work by Barnett Newman that reveals the careful planning that underpinned his rigorous abstract paintings.

Find out more from the Grand Palais’s website.
Preview below | View Apollo’s Art Diary

Mutter (Mère) (1930), Hannah Höch. Centre Pompidou, Paris. Photo: © Centre Pompidou, MNAM-CCI/Bertrand Prévost; dist. GrandPalaisRmn; ©Adagp, Paris, 2025
Deux danseurs: Projet pour le rideau de scène du ballet Rouge et noir’ (1937–38), Henri Matisse. Centre Pompidou, Paris. Photo: © Centre Pompidou, MNAM-CCI/Philippe Migeat; dist. GrandPalaisRmn
Untitled (La Brèche) (1946), Barnett Newman. Centre Pompidou, Paris. Photo: © Centre Pompidou, MNAM-CCI; dist. GrandPalaisRmn; © 2025 The Barnett Newman Foundation / Adagp, Paris