Why the art market is finally taking note of British Surrealism
It isn't easy to define a made-in-Britain equivalent to the Paris Surrealists, but collectors are increasingly drawn to the uncanny side of British modernism
It isn't easy to define a made-in-Britain equivalent to the Paris Surrealists, but collectors are increasingly drawn to the uncanny side of British modernism
Recent auction results suggest a return to pre-pandemic levels – but with turmoil engulfing Europe, this raises some difficult questions
Museums and galleries are keener than ever to display their environmental credentials – but words and deeds don’t always seem to match up
Lengthy exhibition texts, catalogues and essays are everywhere nowadays – but do they help us to see the art for what it really is?
Modern critics (and conspiracy theorists) have focused on the painter’s decadent side, but his subjects reflect the society of his day
As the city ‘arrives’ as a global art capital, how do the artists and curators who have been there for decades feel about the hype?
Underlying the Surrealist leader’s preoccupation with dreams and the unconscious was a very practical desire to change the world. Who’s to say he didn’t succeed?
Cagnaccio di San Pietro grew up in a Venetian fishing village – so it’s no surprise seafood stars in his still lifes
140 London Wall is an imperious piece of 1970s architecture – so why is it being replaced by a generic office block, at great environmental cost?
Making wine is an exacting activity that has much in common with the artistic process
The museum has sensitively reimagined all its displays to breathe new life into its medieval masterpieces
The Biennale’s artistic director is taking viewers on a surreal journey this year – with women artists at the heart of things
Faith Ringgold has died at the age of 93. In 2022, Nicole Rudick reviewed her New Museum retrospective, admiring the artist’s lifelong search for better stories to tell about the United States
The most successful public statues are more than mere three-dimensional versions of photographs plonked on plinths
James Birch recounts the improbable story of how, with help from the KGB, he put on a show of Bacon’s work in the Soviet Union
The gold objects in this show may glitter, but some of their previous owners are cast in a far from flattering light
The painter who was at the heart of the New York avant-garde captured the many excitements of the modern age
James John Audubon’s illustrations of birds endure to this day, even if many of the species he depicted didn’t make it