In a Grove
Since the mid-1990s, Jill Baroff has been strongly influenced by Japanese architecture, which she categorizes as “floor-based,” as opposed to the West’s emphasis on verticality. During a six-month NEA fellowship in Japan, Baroff was captivated by the way light traveled across the weave of her tatami floor during the day; constantly changing the patterns of the mats and consequently affecting the shape and feel of the interior spaces she occupied. In 1997, for an exhibition in Germany, Baroff achieved the same kind of effect using corrugated paper. For the installation at the Bronx Museum Terrace, Baroff chose to work with tree trunks collected from a grove in Upstate New York. Read more.
Just the bare necessities of art