In The Birth of the World (1925), Miró created a new visual language expressing Surrealist notions about chance and the unconscious. This painting is considered here both in its own right and as a stepping stone to Miró’s later works, such as the ‘savage paintings’ of the 1930s. Find out more from MoMA’s website.
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![Still Life II, Miro](http://www.apollo-magazine.com/wp-content/uploads/2019/02/192223_miro_stilllifeii.jpg?resize=730%2C605)
Still Life II (1922), Joan Miró. © 2018 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris
![](http://www.apollo-magazine.com/wp-content/uploads/2019/02/1925_miro_thebirthoftheworld.jpg?resize=730%2C920)
The Birth of the World (1925), Joan Miró. © 2018 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris
![Hirondelle Amour, Joan Miró](http://www.apollo-magazine.com/wp-content/uploads/2019/02/193334_miro_hirondelleamour.jpg?resize=730%2C585)
Hirondelle Amour (1933–34), Joan Miró. © 2018 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris
![Mural Painting, Miro](http://www.apollo-magazine.com/wp-content/uploads/2019/02/195051_miro_muralpainting.jpg?resize=730%2C236)
Mural Painting (1950–51), Joan Miró. © 2018 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris
In defence of the outsider artist