During the 17th century, Europeans voraciously collected prints for their capacity to instruct and entertain. This installation features a selection of etchings from the 1640s that Florentine artist Stefano Della Bella (1610-1664) designed to delight the eye. These prints, called capriccios, are intended to be decorative and beautiful. Their iconography can be erotic, irrational, playful, morbid, graceful, or violent-anything to stimulate the viewer’s imagination while showcasing Della Bella’s exceptional dexterity and capacity for invention.
Stefano Della Bella: Capriccio and Fantasy
Cantor Arts Center, Stanford University
NOW CLOSED
Most popular
- Recent
- Recent
Podcast
The Masterpiece podcast: episode three
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
‘A revolutionary flame burned bright within him’: David Bindman (1940–2025)