Edward Behrens is editor of Apollo.
Ahead of a retrospective at Tate Britain, the artist tells Apollo that swapping the city for rural Suffolk has led her to more primordial themes
Smashing expectations, the hype-powered auction introduced a new and particularly well-oiled model of the big houses' marketing machine
When institutions try to offer something to everyone do they risk spreading themselves too thin?
An old-fashioned way of bringing in cakes and custards is beginning to feel rather modern again
A few excellent results can't paper over the deeper cracks that have appeared at Christie's and Sotheby's this summer
On the institution’s 125th anniversary, its director Mónica Ramírez-Montagut wants to serve a wider audience and make stronger connections with the local community
A record-breaking Klimt at Sotheby’s has put the marketing machine in overdrive, but quieter joys can be found elsewhere in the capital
The recently appointed director of fairs and exhibition platforms tells Apollo why he is taking a light-touch approach to running the world’s biggest art fair
Edward Behrens on the finalists for this year’s Loewe Foundation Craft Prize
The Japanese ceramicist was awarded the top prize for her ingenious work at a ceremony in New York
