Edward Behrens is editor of Apollo.
From the World Cup to the semiquincentennial of the US Declaration of Independence, flag-waving is in the air this summer
At the MAK in Vienna, placing gemstones alongside more everyday designs brings out the artistry in both
The Charles Ede director explains why the antiquities market is different from the rest of the art market, how she brings in young collectors and why broken fragments are the next big thing
‘Tablescaping’ is nothing new – just look at these dazzling centrepieces made by 18th- and 19th-century goldsmiths
The sculptor knows something about scale, which, as he tells Apollo, is ‘the most mysterious, strange, poetic thing’
The National Gallery of Singapore’s show about desire in South East Asian art has managed to satisfy the censors while not shying away from the subject
The co-founder of Old Masters gallery Lullo Pampoulides talks to Apollo about the importance of fairs, what happened after Brexit and the collapse of the mid market
A series of works by the artist coming to auction give greater insight into his meteoric rise
At the National Gallery Singapore, the winner of this year’s Craft Prize – and the other shortlisted works – offer an invigorating vision of the possibilities of making
A historic 18th-century salver from the collection of Robert Walpole is a relic from a world of political perks and exquisite craftsmanship
