Peter Crack is a freelance writer based in London
‘Antoniazzo Romano: Pictor Urbis’ at the Palazzo Barberini in Rome attempts to shed new light on this enigmatic artist’s career
Wherever tradition clashes with the public interest, there lies the satirist’s pen. Little wonder that cartoonists periodically target museums
Stanley Spencer's paintings from the Sandham Memorial Chapel – currently touring the UK – are among the most important artistic responses to the First World War
The queen's portraits in 'Elizabeth I & Her People' are among the least interesting in the NPG's revealing exhibition of Tudor art
TEDxAlbertopolis promised to dispel the myth that science and art are divided. They clearly aren’t and arguably never have been
It may be a publicity stunt, but the V&A's controversial acquisition of the 'Liberator' 3D printed gun says a lot about our ambivalent relationship to new technologies
Peter Crack on why a picture is worth a thousand words...
The story behind Samuel Courtauld's collection of Gauguin paintings is more compelling than the works themselves
When will Italian museums do something to improve their websites?
Moore and Rodin make unlikely bedfellows but their pairing at Perry Green results in some fruitful juxtapositions
