The imbalance seems historically ingrained. But surely museums could do more to explain it
View Festival of Art History; the Christie's purchase of Collectrium; Mark Scala on Telling Tales
And will traditional art industry divides persist online?
Digby Warde-Aldam explores what London has to offer, from contemporary abstract painting to Sargent's most disquieting portraits
London's love of Victorian art; Gavin Stamp on the Garden Bridge; Matilda Bathurst reports from the Whitworth Art Gallery
Hiroshi Sugimoto on fossils and photos; In praise of postcards; The unlikely success of Fig-2; Five highlights from the Wadsworth; Tàpies in focus
Curator Patricia Hickson selects some personal highlights
Previews from the new February issue: Is the golden age of art schools over? What can be done to protect cultural property in war zones? Does art still have a sense of mystery?
It's not just Paolozzi's mosaics that have come under threat in recent years. Is it time for a public catalogue of such items?
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
David Ekserdjian discusses the recent announcement
From biplanes to drones, we look at the impact of the aerial viewpoint on modern and contemporary art. Plus, our round-up of this month's major acquisitions
Surveilling surveillance...
BRAFA opens in Brussels; Theaster Gates wins the Artes Mundi Prize; art and craft at the NGCA
Rethinking artists' copyright; an update from Amphipolis; and Limerick's year of controversy and culture
In the January issue of Apollo, we asked a range of senior figures for their perspectives on copyright now
Mike Fitzpatrick salvaged the programme after its disastrous start, but what's next for the city?
Cezanne goes digital; wit in museums; the perils of international museum franchises; and the Estorick's public appeal
Maggi Hambling grapples with war, Jo Baer's dream-like paintings and a rethinking of classical art
Pop art comes under examination in 2015, while Pallant House Gallery reappraises the work of Leon Underwood, David Jones and Walter Sickert
2015 is the year to see some exceptional Old Master drawings in the UK
The Whitechapel Gallery celebrates abstract art this winter, while a previous exhibitor at the gallery, Sarah Lucas, prepares for Venice
Ireland's outstanding 18th-century decorative arts have been long overlooked, but a new exhibition in Chicago looks set to change that
It looks like 2015 will be Manchester’s year
The Week’s Muse: 28 February
View Festival of Art History; the Christie's purchase of Collectrium; Mark Scala on Telling Tales
What does the Christie’s purchase of Collectrium mean for art tech?
And will traditional art industry divides persist online?
London Diary: 22 February
Digby Warde-Aldam explores what London has to offer, from contemporary abstract painting to Sargent's most disquieting portraits
The Week’s Muse: 21 February
London's love of Victorian art; Gavin Stamp on the Garden Bridge; Matilda Bathurst reports from the Whitworth Art Gallery
The Week’s Muse: 14 February
Hiroshi Sugimoto on fossils and photos; In praise of postcards; The unlikely success of Fig-2; Five highlights from the Wadsworth; Tàpies in focus
Five favourites from the Wadsworth Atheneum’s new galleries
Curator Patricia Hickson selects some personal highlights
The Week’s Muse: 7 February
Previews from the new February issue: Is the golden age of art schools over? What can be done to protect cultural property in war zones? Does art still have a sense of mystery?
Comings and goings: Paolozzi and public art
It's not just Paolozzi's mosaics that have come under threat in recent years. Is it time for a public catalogue of such items?
Editor’s Letter: The Art of Mystery
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art
Fitzwilliam Museum attributes two bronzes to Michelangelo
David Ekserdjian discusses the recent announcement
The Week’s Muse: 31 January
From biplanes to drones, we look at the impact of the aerial viewpoint on modern and contemporary art. Plus, our round-up of this month's major acquisitions
Reflecting the network: James Bridle’s recent residency and the rise of drones
Surveilling surveillance...
The Week’s Muse: 24 January
BRAFA opens in Brussels; Theaster Gates wins the Artes Mundi Prize; art and craft at the NGCA
The Week’s Muse: 17 January
Rethinking artists' copyright; an update from Amphipolis; and Limerick's year of controversy and culture
Right or wrong? Is it time to rethink copyright legislation?
In the January issue of Apollo, we asked a range of senior figures for their perspectives on copyright now
Shambles to success: Limerick’s year as debut Irish City of Culture
Mike Fitzpatrick salvaged the programme after its disastrous start, but what's next for the city?
The Week’s Muse: 10 January
Cezanne goes digital; wit in museums; the perils of international museum franchises; and the Estorick's public appeal
12 Days: Highlights of 2015
Maggi Hambling grapples with war, Jo Baer's dream-like paintings and a rethinking of classical art
12 Days: Highlights of 2015
Pop art comes under examination in 2015, while Pallant House Gallery reappraises the work of Leon Underwood, David Jones and Walter Sickert
12 Days: Highlights of 2015
2015 is the year to see some exceptional Old Master drawings in the UK
12 Days: Highlights of 2015
The Whitechapel Gallery celebrates abstract art this winter, while a previous exhibitor at the gallery, Sarah Lucas, prepares for Venice
12 Days: Highlights of 2015
Ireland's outstanding 18th-century decorative arts have been long overlooked, but a new exhibition in Chicago looks set to change that
12 Days: Highlights of 2015
It looks like 2015 will be Manchester’s year