The anonymous activists on sexual and racial discrimination, Donald Trump, and why it's actually better in Poland
The Turner-prize nominated artist talks to Apollo about Surrealism, what she learned from Jim Ede, and being part of a legacy
Ryan Gander's new exhibition at the Lisson Gallery turns the spectator into the spectacle
'At Twilight' includes references to Japanese Noh theatre, western modernism, contemporary stagecraft and Eeyore...
John Darlington discusses the organisation's work to protect heritage around the world, and how recent restructuring will affect its future
In advance of its major Oscar Wilde exhibition, the Petit Palais plays host to an event exploring the dandy through history
Nirmal Sethia talks about the Chitra Collection, one of the world's finest private collection of historical – and explains the true significance of tea
The Mexican artist discusses his work, his experimental education and the importance of tools, as his solo exhibition opens at Fruitmarket Gallery
With her first UK exhibition at the Whitechapel Gallery, Mary Heilmann talks fashion, finger painting and why Ellsworth Kelly is her hero
Art and design highlights include treasures from Hamilton Palace and Napoleon's tea-service
The gallery's new director on the Switch House extension, promoting women artists, and finally having the final say over the collection
The Holburne Museum is a place of serious pleasure, says director Jennifer Scott, and that's how it stays true to its roots
We spoke to the outgoing Rijksmuseum director about the internet, Old Masters, and art by the seaside as he prepares for a new role at the Museum Voorlinden
The artist talks to Apollo about her obsession with found objects and making art out of gin
The Italian artist discusses his distinctive palette and what he owes to Yves Klein
The Mexican artist on the importance of artistic process and the arts charity he has set up in Mexico
Huang Yong Ping on blurring the lines between Chinese and Western traditions
Valeria Napoleone discusses her unusual collection, and the importance of her relationships with artists
The curator of 'Show your Wound' discusses his thorny choice of subject and changing ideas
The Belgian painter reveres the Old Masters but is 'ashamed' by the state of figurative painting today
Sheena Wagstaff on the Met's ambitious plans for the Breuer building
Christo and his wife and collaborator Jeanne-Claude wanted to walk on water nearly 40 years ago. The Floating Piers project this summer will achieve their dream.
‘What’s happened to the witch, the German puppet witch?’ Susan Hiller enquires of the waitress...
'I’ve always been interested in artists who stretch the formal limits of technology'
