Giles Hutchinson Smith on Mallett's long history, moving to Ely House, and his star exhibits at TEFAF
Michael Beck of Beck & Eggeling discusses the gallery, collecting, and the state of the art market
We spoke to Adélia Sabatini and Joséphine Seblon about the programme
Hiroshi Sugimoto talks to Thessaly La Force about how his art collection influences his work
PAMM curator Tobias Ostrander chooses one key painting from the new Tàpies retrospective in Miami
As a survey of Lynda Benglis’s work opens at the Hepworth Wakefield, the artist talks to Imelda Barnard about her 40-year career
As we wait to hear the winner of this year's prize, director Karen MacKinnon discusses the shortlisted works and what they mean to her
Frederick Wiseman talks to Fatema Ahmed about his new film, National Gallery
Jorge Coll and Nicolás Cortés celebrate 10 years of Coll & Cortés
In December an audience spilling out of a theatre into a cold night is a familiar sight. Carlo Carrà’s Leaving the Theatre captures figures outside La Scala in Milan in 1910, wrapped up against the elements, dispersing under glittering streetlights. The painting, one of London’s best examples of early Futurism, requires urgent restoration work. The […]
The Crypt Gallery in St Pancras Church is overrun with cosmopolitan chickens. Is it art?
De Jonckheere on the art market, and mixing Old Masters with modern art
'Cycles of Life' presents more than 40 exceptional historic rings
To me, Burgert's paintings are packed with art-historical allusions. But if the artist meant them to sneak in, he won't admit it
Auckland Castle, the Bowes Museum and Durham University host a major Spanish Art symposium which draws on the region's own superb collections
Simon Phillips on selling and collecting 18th-century furniture
Apollo spoke to the first rare books and maps dealer to exhibit at Frieze Masters
Mitchell-Innes & Nash have teamed up with Annely Juda Fine Art to present a series of drawings after Old Masters by Leon Kossoff
'Study for Bullfight no. 1' steals the show at Stand C8. We spoke to Alexander Platon about the display
Lyndsey Ingram discusses her work at Sims Reed Gallery and the market for contemporary and modern prints
Katie Paterson's latest work will be one hundred years in the making
The Guggenheim celebrates the ZERO Group and those they inspired
Without Rubens no rococo, no romanticism, no orientalism. Perhaps even no Impressionism.
Drones, video games and the NSA...
