Drones, video games and the NSA...
Photographer Stephen Shore talks to Apollo ahead of his retrospective at Fundación Mapfre, Madrid
Two young artists argue for a return to paint and pencil
Martin Gayford talks to artist duo Gilbert & George at their East London studio
With a new atrium designed by Norman Foster, IWM London reopens this month following major refurbishment
A large collection of Joaquín Sorolla's paintings are still on display in the artist's old home in Madrid
Beatrix Ruf, the new Artistic Director of the Stedelijk Museum in Amsterdam, talks to Apollo about her ambitions for the institution
'Don't think you can make a masterpiece without a lot of hard work'
Sam Thorne joined Tate St Ives as its artistic director in March: we spoke to him about Cornwall and curating
Sculptor Phillip King talks colour, steel and glitter in advance of his solo exhibition at Thomas Dane Gallery
Ben Luke talks to the director of Art Basel in Hong Kong, Magnus Renfrew, about the fair's much anticipated second edition
Baron Lorne Thyssen-Bornemisza speaks to Susan Moore about the opening of Kallos Gallery in London and his love of antiquities
Apollo spoke to Jeff Rabin, co-founder of Artvest, which is behind the rebranded 'Spring Masters, New York'
Éva Chadwick talks to Apollo about the Lynn Chadwick centenary celebrations
Anita Klein discusses her work with the specialist printmakers at Advanced Graphics
Richard Wilson's Slipstream at London's Heathrow airport is a 'sculpture of movement'
YARAT's director discusses ‘Love Me, Love Me Not’ in Baku
Alex Katz talks to Matthew Sperling about his memories of the New York School and his love of poetry
In the 1940s and '50s, a series of touring exhibitions brought modern British sculpture in from the cold
Extracts from our April issue, in which the celebrated painter discusses his life and work
In Apollo's April issue we spoke to Christophe Leribault, director of the Petit Palais in Paris
In Apollo's March issue we spoke to Michael Craig-Martin ahead of his exhibition at Chatsworth House
'There’s nothing particularly radical or subversive in ridiculing the classical'. Matthew Darbyshire discusses art history, appropriation, contemporary clichés
A finely honed selection of masterpieces of European art
