Reviews
The Italian dynasty that kept all of Europe thoroughly entertained
For more than a century, the Bibiena family created spectacular sets that delighted and deceived audiences
Keys to success: how typewriters transformed the world of work
Typewriters may be museum pieces now, but they created office jobs for women and by doing so changed the 20th century
At the Fondazione Prada, painting refuses to play dead
Peter Fischli has curated a show about the demise of painting – but his take is that it’s still very much alive
Capital gains: how Gainsborough took London by storm
When the painter finally moved to the capital, he was quick to make the most of the opportunities on offer
The man who designed modern Britain
Tom Eckersley’s posters are rightfully regarded as masterpieces – partly because he worked with clients who were also first-rate
The late, great landscapes of Rubens, reunited at last
A pair of monumental landscapes painted in his later years offer an unusually personal glimpse of the artist himself
For Eileen Agar, the natural world was a playground of artistic possibilities
The British artist looked to nature to provide material for her surreal creations
The second coming of Isidore Isou
The founder of Lettrism wasn’t the only avant-garde artist with a god complex, but he may have been the most messianic
Cultural evolution – ‘Epic Iran’ at the Victoria and Albert Museum, reviewed
A whirlwind journey through 5,000 years of Iranian civilisation charts change and continuity in a culture that has absorbed all manner of influences
Returns policy – The Brutish Museums by Dan Hicks, reviewed
Is it enough for Western museums to say how they came by their colonial-era artefacts – or should they just give them back?
At Versailles, Marie Antoinette’s private retreat plays host to a madcap menagerie
François-Xavier and Claude Lalanne’s fantastical creations are making mischief at the Trianon estate this summer
Mugs, jugs and modern art – Ben Nicholson at Pallant House, reviewed
The painter had a keen eye for crockery – and the best pieces from his collection got to star in his art
How to cook like a minimalist architect
Recipes from the table of John Pawson are as pared-back as his architecture – which is all a little too perfect
How Kraków’s royal tapestries returned to their rightful home
These great tapestries have a turbulent history that has seen them held by Russia and in Canada – but now they’re back in the rooms where they first hung
Bloomsbury’s gooseberry? ‘Clive Bell and the Making of Modernism’, reviewed
Clive Bell is now best known as Vanessa’s husband – but a new biography replenishes his role in promoting modernism in Britain
What do US museums mean when they talk about folk art?
Collectors, curators and artists have been debating the category of American folk art since the early 20th century – as a display at the MFA Boston makes clear
Picasso’s Guernica, as you’ve never seen it before
The ‘Rethinking Guernica’ website allows us to scrutinise Picasso’s anti-war masterpiece in greater detail than ever
2 Tone was never just about the music – as this show in Coventry makes clear
2 Tone began as a ska-inspired record label, but swiftly became a look and a political stance – and a defining moment in British cultural history
The clay’s the thing – Ceramic: Art and Civilisation, reviewed
Paul Greenhalgh’s ambitious survey takes us from the ancient Greeks to Picasso and beyond
Australian art that doesn’t beat about the bush – The National 2021, reviewed
A survey of new Australian art presents a planet in crisis – but it’s more uplifting than it sounds
For Etel Adnan, a show in Turkey is a symbolic homecoming
A retrospective at the Pera Museum in Istanbul demonstrates the vast geographic sweep of the Lebanese-American artist’s work and biography – including her Ottoman roots
Rankin’s Great British Photography Challenge is too polite for its own good
The TV competition series is billed as a ‘masterclass’ – and none of the contestants will be booted off until the finale. Where’s the fun in that?
Do artists dress to impress?
In ‘What Artists Wear’, Charlie Porter casts an eye over the wardrobe choices of everyone from Barbara Hepworth to Jean-Michel Basquiat
John Craxton was a great artist – but his real talent was for living life to the full
A new biography of the British painter has a fine sense of his precocious talent – and real feeling for his rakish charm
Do portraits have an image problem?