A new exhibition suggests that Redon’s pictures owe as much to literature and music as they do to the visual arts
The French painter’s late style influenced a generation of American Abstract Expressionists
An exhibition at the Dallas Museum of Art places the powerfully symbolic gold objects of the Asante peoples centre stage
The artist’s subjects include drones, undersea cables and a sculptural satellite in space
By placing the artist’s possessions next to her portraits, the V&A seeks to reveal the woman behind the icon
In the largest survey of her work so far, the artist explores the tensions between control and chaos
A survey of the Korean artist’s work reveals a fascination with the fragile boundary between beauty and horror
The artist’s new video piece, installed at the Morley Gallery, draws attention to the current crisis in UK higher education
An exhibition in Hastings makes clear the abrupt shift in the St Ives artist’s style of painting
A comprehensive look at the career of Lucie Rie places the spotlight on her handcrafted buttons
The Fondation Beyeler ingeniously pairs Bacon and Giacometti in a way that highlights the individuality of both artists
An ambitious exhibition at the Institut du Monde Arabe looks at the role of the famous waterway in Egypt and beyond
William Burrell’s exceptional medieval and Renaissance tapestries now have the catalogue they deserve
An exhibition celebrating the Society of Artists in Ireland casts light on some lesser-known 18th-century figures
An exploration of Picasso's passion for food sheds new light on the artist’s other appetites
In taking change as its theme, RIBOCA covers everything from science and perception, to ecology and technology
The Arte Povera pioneer explores art and nature in Europe’s largest sculpture park
Marc Chagall realised new worlds in his art – but he peopled them with characters from his own provincial childhood
Frida Escobedo has created a surprisingly sombre structure for this year’s temporary pavilion
An exhibition at the Asian Art Museum asks visitors to consider what it means to represent divinity in human form
A new study of art and design in the interwar years makes the case for a distinctly baroque take on modernity
The British artist was as devoted to cultivating flowers as he was to painting them, as this colourful exhibition reveals
The self-declared ‘post-non-figurative’ painter proves himself a master colourist in this survey at the Palazzo Grassi
Why the experimental exhibitions of Harald Szeemann still have something to teach today’s curators
