An exhibition in Glasgow turns our attention towards the ways in which we interact with objects
The artist continues to confound expectations in this display of wit at the Whitney
Jenny Uglow’s biography brings the writer and artist’s love of contradictions to the fore
The Royal Academy's Jasper Johns show captures the complexities of his deceptively simple art
Monet's hidden art collection goes public in an ambitious exhibition at the Musée Marmottan
The Polish artist's powerful work is finally being accorded the attention it deserves. Don't miss the chance to see it in the UK
The Imperial War Museum's 'Age of Terror' exhibition is important, but fails to ask some key questions
Wilhelm Hansen amassed his impressive collection, now showing at the Musée Jacquemart-André, in only two years
The Palazzo Strozzi makes the most of the tensions that fuelled the cinquecento’s creative energy
A century after it was left to the city of Philadelphia, John G. Johnson’s art collection continues to surprise
Julian Rosefeldt’s new film looks again at the emotionally charged, political, performative texts that have shaped the course of culture
Among the treasures of St Cuthbert in Durham are several of the most remarkable medieval objects to be seen anywhere
Bartolomé Esteban Murillo's rare and inventive portraits are on display in New York after a major research and conservation project
Artists throughout the ages have painted in black and white or monochrome. What is the appeal of art without colour?
These erotic fantasies reveal how painfully separate the artist kept his private and public lives
This exhibition at the Metropolitan Museum of Art tries to register the gap between pre-war assumptions and the First World War’s brutal reality
Artist Andy Holden has collaborated with his father, the ornithologist Peter Holden, on an Artangel project exploring our fascination with 'home'
The artist's textile works reveal the versatility and power of a medium that has been widely overlooked
These responses to the tumultuous history of the Arab world contain a surprising amount of hope
MoMA's 'greatest hits' are superb, of course – but are they a little too familiar?
The Korean painter sabotaged his promising career in 1981, but things seem to be looking up for him again
Two exhibitions at the Sainsbury Centre in Norwich demonstrate the gulf between royal and popular culture in the build-up to and aftermath of the 1917 revolution
To devote an entire show and a book exclusively to artists’ images of death – and nothing else – seems profoundly odd
The new film 'Loving Vincent' has its mawkish moments, but its oil-painted imagery sets it apart
